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␈↓ α∧␈↓␈↓ ε122␈↓ 
T


␈↓"β␈↓ α∧␈↓Figure 93e
␈↓"β␈↓ α∧␈↓␈↓ βW␈↓¬⊂⊗⊃L[%0.02,%-2.20]:N93FE.PLT[C9,LCS]⊂⊗⊃␈↓










␈↓"β␈↓ α∧␈↓␈↓ αdThere␈α⊃is␈α⊃no␈α⊂doubt␈α⊃that␈α⊃the␈α⊂material␈α⊃thus␈α⊃far␈α⊃presented␈α⊂on
␈↓ α∧␈↓this␈α
passage␈α
gives␈α
a␈α
fair␈αpicture␈α
of␈α
the␈α
essential␈α
movement␈α
of␈αthe
␈↓ α∧␈↓harmony␈α~and␈α~would␈α~make␈α~a␈α~relatively␈α~uncluttered␈α→analysis.
␈↓ α∧␈↓Unfortunately,␈α_this␈α↔degree␈α_of␈α_simplicity␈α↔is␈α_achieved␈α_only␈α↔by
␈↓ α∧␈↓omitting␈α
mention␈α
of␈α
the␈α
subtle␈α
changes␈α
which␈α
occur␈α
at␈α
the␈α
ends␈α
of
␈↓ α∧␈↓many␈α⊃of␈α∩the␈α⊃measures.␈α∩ When␈α⊃these␈α⊃are␈α∩taken␈α⊃into␈α∩account,␈α⊃we
␈↓ α∧␈↓find␈α
several␈α
pivot␈α
chords␈αand␈α
justification␈α
for␈α
showing␈αsome␈α
more
␈↓ α∧␈↓brief tonicizations.

␈↓"β␈↓ α∧␈↓␈↓ αdFirst,␈α⊂in␈α⊂bars␈α⊂63␈α⊂and␈α⊂64,␈α⊃it␈α⊂might␈α⊂be␈α⊂said␈α⊂that␈α⊂the␈α⊃root␈α⊂of
␈↓ α∧␈↓each␈αbeginning␈αharmony␈αis␈αtonicized␈αby␈αthe␈αprevious␈αeighth␈αnote.
␈↓ α∧␈↓Below the analysis the earlier simple view is presented.
␈↓"β
␈↓"β␈↓ α∧␈↓Figure 93f
␈↓"β␈↓ α∧␈↓␈↓ βY␈↓¬⊂⊗⊃L[%0.02,%-2.68]:N93FF.PLT[C9,LCS]⊂⊗⊃␈↓